part two
Tuesday, February 1, 2022
No sign of that world out here anyway..
Tuesday, January 25, 2022
Like dust in the sunlight of a room..
part one
I went from traveler to vagabond when my love of exploring new places got confused with my impulse to run. One year became five. People moved on with their lives, like I had meant to do with my own. Now I am filled with ghosts and landscapes and I do not know what to do with them. Months and years tear from the calendar, one after the other, and the pages carried off by a cartoon dust cloud behind a speeding car.
Photographs are indeed life markers, but not always because of their content, location, or the person depicted, but simply because there happens to be a photograph in the first place. This is where a photo's true value can grow out from too. From It’s own mysterious presence in the world, demanding that we connect with it then leaving us full of questions. How can photos of a seemingly insignificant moment in life become as precious to us as the actual life defining memories where no photographs were made at all? Perhaps photographs are artifacts from our lives and possessing them is proof of our participation in it
Without photographs I would truly be lost in time in a world without gravity, and all the pictures that were not taken when I had the chance, will float there, like dust in the sunlight of a room where I lay on the floor slowly regaining consciousness.
Sunday, January 16, 2022
This life between the photographs..
What I have noticed about my own relationship to photography after recently spending time looking at my archive, is the acute awareness of the private narrative of my own life going on elsewhere, outside of the frame. Those photos that I consider more successful are encoded with psychic markers and contain everything I need to know to gain access to this life between the photographs.
Photographs are both time capsule and time machine which can, on an images’ contemplation, transport me back to that initial experience, landscape, person or feeling and, if I have been true to my own vision when making the photograph, it stages authentically, the psychological and emotional conditions which brought about the making of the picture in the first place. The feedback between myself and this distilled object, this photograph, is continuously being mentally reframed with each viewing. The image remains stable in its representation, but myself, as its viewer and author, is in a state of continuous flux across time and it is this feedback which informs my present self of itself in it’s ever changing state.