For some time now I have contemplated extending my own personal photographic work to involve the work of other photographers and artists and last month I started the Altered States of Agoraphobia Flickr group as a response to this. These photographs presented here are only a tiny selection of the 1000 plus images which have already been submitted to this group.
This Flickr group, much like my own on-going work, could be described as a psychological, geographical and cultural investigation into the
I have also set up a separate blog to platform some of the work submitted to this new project. Altered States of Agoraphobia (II) which can be found by following this link below:
http://alteredstatesofagoraphobia2.blogspot.com/
The original set up featured full size replica exhibits of 16th, 17th and 18th century "treatment" devices that resemble the torture devices used during the same period. These were created by George for a mental health awareness week celebration. The public loved them and he was encouraged by superiors to expand the exhibit. More mental illness treatment items were soon added and the museum had begun.
The museum was relocated to it's current location in 1997 when the asylum campus was converted to a correctional facility. Being located just off the main campus, the building was spared destruction by the project but is shadowed by the fence of the newly constructed Western Reception, Diagnostic and Correctional Center. Luckily, the building is still historical and maintains its ties to the past, it was built in 1968 - the year Glore first put together the exhibits - and was used as a clinic for the patients of the asylum.
Glore continued to develop one of the largest collections of mental health historical items until he eventually retired from the Missouri Department of Mental Health
Glore Psychiatric Museum
3408 Frederick Avenue (One Mile West Of I-29, Exit 47)
St. Joseph , Missouri 64506
or
SIMON KOSSOFF: “
"For some time we have observed with curiosity the patient work of Simon Kossoff. We like it because it is a determined slap in the face of reality or perhaps it is best to call it personality. Without melancholy, Kossoff creates with a lyrical precision that has become more refined over time, a mature vision with a narrative tension that is also soaked with poetic ambition. A subjectivity that is made up of silent traces isolated through intuition. The human landscape that he approaches through photography consists of colorful individualities and a macrorealism that pierces our sensibilities. Using razor-sharp details that scrape the surface of the banal. Kossoff makes skilled incisions into reality, finding essential spaces, briefly shooting, embedding the image with what feeds his own story. A fluent and fast paced vision, relentlessly alternating between a sob that first exposes your feelings and then defines them. What we see in this work on
This article with the images can be found here at Urbanautica’s website.
Recently I made a couple of visits to the West Bottoms in Kansas City to begin making pictures for a group landscape exhibition which is planned for next year in Spain, which I have been invited to participate in. These images are preliminary sketches, to get a feel for this beautiful and sad place, before I begin working on the photographs I would like to submit to the show. Images which will until it's opening remain private.
HISTORY (taken from the West Bottoms website)
The West Bottoms is an industrial area immediately to the west of downtown Kansas City, Missouri at the confluence of the Missouri River and Kansas River. The area is one of the oldest areas in the city.The West Bottoms was originally referred to as the “French Bottoms”. It was the site of trade between French trappers and Kansas Indians. The area was established by the trappers as an area of commerce. The West Bottoms became the receiving point for goods offloaded from steamships traveling upstream on the Missouri river due in part of the western immigration and trade with Mexico over the Santa Fe Trail. The importance of the area increased with the advent of the railroad. The stockyards (established in 1871) then chose to develop there because of the livestock that came in from the Southwest over the rails. A whole city grew around the stockyards. The Union Depot was built on Union Street where hotels, bars and restaurants flourished. Over 90 percent of the value in Kansas City lay in the West Bottoms. A devastating flood in 1903 ended the investment in housing, schools and churches. However, the agricultural, meat packing, freight and industrial investments continued to grow. By then the rule of thumb was clearly established namely the economic vitality of the city was determined by the economic progress of the West Bottoms. With economic hard times the West Bottoms took a drastic hit. The first economic blow came with the ending of World War II. There were over 20 thousand jobs lost when the extensive military construction in the city suddenly ceased. The second economic blow came in 1951 with a major flood. Packing companies and supportive industries moved out of the area and many closed their doors forever. The combination of these two events was cataclysmic. There were 50,000 jobs lost in the span of 5-6 years and the city was half the size it is now. With the job loss people stopped shopping downtown. With the economic downsizing the city slipped and was unable to save itself and collapsed. Because the city’s tax base crumbled it could no longer maintain its streets, bridges or engage in meaningful investments.
